— a monolithic presence that anchors the room with gravity — low and expansive, it blurs the boundary between pedestal and table, between object and ground. Its silence is architectural, a platform that does not decorate but defines. As a pedestal, the Grande becomes a stage for monumental works — sculptures, installations, or curated compositions that demand breadth rather than height. As a center table, it transforms the living room into a gallery, where books, vessels, or objects of meaning rest not in clutter, but in deliberate order.